Thematic Semantics: Point A—
Flap you b@#$%&?!
Since its inception, I’ve found myself plodding along at a far steadier pace than I had intended— especially after a lay off as long I had; but I’m pretty sure I’m enjoying myself upon more than just similar lines. As such I’m more than willing to play more. If one is able to do after all— it’s criminal not to; so do, is what I’m doing.
I had intended to weave a little Welles into my thoughts— but it’s far too important a thing to have lost, wasted in ridiculous so soon without a little context to grease the tracks first— besides, if I keep it up, I’ll have exceeded half of all the probabilities I’d originally set myself, and in the hood of all likeliness— I’ll be lucky to fill the other.
Although, that being said, I do have the odd treat up my sleeve— it’s not as if I have it planned as much as it’s more a case of learning to fly again by jumping out of a plane with someone with a parachute beside me asking, with some urgency I might add, ‘why aren’t you flapping?’
So, from the springboard of planes and parachutes, it’s quite possible to take monkeys, aliens, world-domination and even woman around a peculiar semantic merry-go-round; such are the contextual marvels of alternative thought. But like all good things, we must start at point A. And for the next few days I’ll be following a thematic-chain which will no doubt lead me right back to here, past through and perhaps over some of these most inevitable of categories.
The reason for my desired launchpad is owing to the quasi-obssession I’ve had for many years with the first 45 minutes of Jeff Wayne’s War of the Worlds. It has a tendency to collapse in on itself during the second half which is hardly a crime as there have been many very good works falling short of greatness owing to a lack of lustre in their final third— but for three quarters of an hour we are treated to one of the greatest voices there’s ever been narrating away with his life, very much in the balance— we even get to hear him say whoosh— which makes the fee for the CD alone, worth an admission.
If I had Richard Burton’s voice for a day, I would make my million and retire— so long as my ‘million’ was pounds and not just trilbies for a secret army of chimps; which would be quite ridiculous. There’s not a scenario I can imagine where I’d actually be able to keep an army of chimps secret. And it’s not through a lack of trying.
Anywise, the Martians have this great war-cry. Actually, it’s the only thing they do say, which is probably why they’re so angry and destructive in the first place: it’s a cry for help, an out-shout for a better vocabulary: we want your planet and your dictionary. It certainly resonates far stronger with me, than some nonsense about the proliferation of their species.
But instead they caught a cold. But not before crying ooohlaaa! a few times, which is actually pretty creepy as it is. However, if you isolate it; run it through a few filters, transpose it a little then play it a little louder than is really necessary, it becomes positively disturbing. And what is especially alarming is if you allow your computer to cry it out whenever it feels like it.
Half a dozen times a day I used to hear it and every time I’d get one of those wtf moments— you’d expect after a while that the nerves would take a bit of a shredding, but it actually became quite therapeutic, particularly when it provided an excuse to leak sentences…
And with that, we’ll just have to see where it takes us.
H.G. Wells, The War of the Worlds